Thursday, February 1, 2007

Donovan & Novo Exhibitions


if ART Gallery will present two simultaneous solo exhibitions, December 9 – 20, 2011, at Gallery 80808/Vista Studios, 808 Lady Street, Columbia, SC: Jeff Donovan: Gray Matters and Marcelo Novo: Materia Gris. The artist’s reception is Friday, November 9, 5 – 9 p.m.            
            Donovan will present new paintings and Novo, new paintings and prints created since his move last year from Columbia to Washington, DC. In both cases, many of new works by the artists are dominated by shades of gray as well as black and white, though certain works will have a wider range of colors. The titles for the exhibitions refer to both the dominance of grays in many of the work and to matters of the brain. It is, after all, the quirky workings of Donovan’s and Novo’s brains that provide an impetus for their typically unusual imagery with a Surrealist or Magic Realist bend. 
            Novo’s exhibition will be his first one in Columbia since his move in September 2011, and as such represents his return to Columbia. Before his move, Novo had a very successful studio sale. Donovan’s exhibition will be his third solo show since January 2010, when if ART organized a 30-year retrospective of his work at Gallery 80808/Vista Studios. The retrospective was followed by a smaller post-retrospective exhibition at if ART Gallery in August, 2010. Both exhibitions set sales records for Donovan, who in 2010 had his best year to date in terms of sales.
            Since his move to DC, Novo (b. 1963) has had exhibitions in two DC-area restaurants. He currently is in an exhibition of Argentine art in the Argentine embassy in DC, where he will open a solo exhibition on November 30. He also was part of a Day of the Dead exhibition at the Torpedo Factory in Arlington, Va. Novo has produced a series of prints at the Lee Arts Center in Arlington, Va., and took a studio at the Columbia Pike Artists Studios in Arlington.
            Buenos Aires native Novo in 1992 moved from Argentina to Columbia, S.C. , where he quickly established himself as on of the areas most prominent artist through scores of solo and group exhibitions in the city.  Novo also has been in dozens of exhibitions along the East Coast, including a show at New York City’s Cinque Gallery. Novo’s 10-year retrospective was at the Sumter (S.C.) Gallery of Art in 2003. In April – May, 2008, “Marcelo Novo: Buenos Aires/Columbia, SC, 1985-1994” was at if ART Gallery.  Novo will be included in the book 100 Southern Artists, to be published in 2012. The book is an anthology of 100 artists from South and North Carolina, Florida, Georgia, Virginia and West Virginia.
            Donovan (b.  1957), too, will be in 100 Southern Artists, which altogether will include 20 artists from if ART Gallery. Donovan has been on the Columbia art scene for three decades. He has exhibited widely and often throughout the Carolinas. The Columbia Museum of Art in 2009 acquired Donovan’s sculpture Dream Boater. Donovan was born in Millford, Del. He studied at the Ringling School of Art in Sarasota, Fla., and the Penland School of Crafts in Penland, N.C., where he studied with Christina Cordova. 

Sunday, November 12, 2006

if ART Gallery Opening

Hand Out, 2006
Oil pastel on canvas
16 x 13 in
$ 550

OPEN NOW: 


if ART Gallery

1223 Lincoln St.
Columbia, S.C.

Gallery Hours:
Most days, except Sunday, from 11:00 AM – 7:00 PM
& by appointment (call 803-238-2351)


For more information, contact Wim Roefs at if ART
(803) 238-2351 – wroefs@sc.rr.com


On Nov. 10, 2006, if ART, International Fine Art Services, opened if ART Gallery. The gallery is at 1223 Lincoln St., Columbia, S.C., in the Vista district, across from the Blue Marlin restaurant. For more information, contact if ART’s Wim Roefs at (803) 238-2351 or wroefs@sc.rr.com.

If ART Gallery carries the work of South Carolina artists Leo Twiggs, Mike Williams, Carl Blair, Tom Stanley, Virginia Scotchie, Tonya Gregg, Peter Lenzo, Jeff Donovan, David Yaghjian, Anna Redwine, John Monteith, Christine Tedesco, Brown Thornton, Paul Yanko, Laura Spong, Steven Chapp, Katie Walker, Edward Rice, Aaron Baldwin, Bill Jackson, Herb Parker, Dorothy Netherland, Eric Miller, Mary Gilkerson, Matt Overend, Kim Keats and Phil Garrett. The gallery also carries work by Dutch artist Kees Salentijn, German artists Reiner Mahrlein, Roland Albert and Klaus Hartmann, and Washington Color Field painter Paul Reed.

The gallery also carries a wide selection of unframed and lithographs, silkscreens, etchings and other limited edition prints by such nationally and even internationally prominent artists such as Karel Appel, Richard Hunt, Bram van Velde, John Hultberg, Sam Middleton, Benny Andrews, Hannes Postma, Corneille, Lucebert and Alvin Hollingsworth.

Since March 2005, if ART, International Fine Art Services, has organized commercial gallery exhibitions in Columbia, mostly at Vista Studios/Gallery 80808. In addition to presenting gallery artists and special exhibitions at if ART Gallery, if ART will continue to organize exhibitions at Vista Studios/Gallery 80808. The company also provides curatorial and exhibition design services. 

Most recently, in September, if ART was hired by the Technical College of the Lowcountry to install dozens of art works at the college’s new building in Bluffton, S.C. Earlier this year, if ART installed two exhibitions of work from the South Carolina state art collection at the Sumter (S.C.) Gallery of Art. The if ART production “South Carolina Birds: A Fine Art Exhibition,” curated by company owner Wim Roefs, is at the Pickens County Museum of Art & History until Nov. 11, 2006. The exhibition opened in 2004 at the Sumter Gallery of Art and traveled to the Burroughs & Chapin Museum in Myrtle Beach, S.C., and the City Gallery at Waterfront Park in Charleston, S.C. Roefs wrote the essay for the exhibition catalogue, which he also edited.

In 2005, Roefs curated exhibitions of work by Leo Twiggs and Carl Blair for the Fine Arts Center of Kershaw County in Camden, S.C. He also curated an exhibition of paintings by Marcelo Novo for HoFP Gallery in Columbia, S.C., and wrote the essay for the exhibition catalogue. Earlier this year, Roefs curated an exhibition with work by Dutch artist Kees Salentijn for the Center of the Arts in Rock Hill, S.C. In May, he curated an indoors/outdoors sculpture exhibition for the city of Dillon, S.C. 

Roefs contributed an essay to the catalogue for the exhibition “A Collection for Margaret: The Personal and Private Art of Carl Blair.” The exhibition is on view at Hampton III Gallery in Greenville until Nov. 11. Roefs teaches a course in African-American art at the University of South Carolina.

Since March 2005, if ART has published eight small exhibition catalogues. The catalogues featured short essays by Roefs about Aaron Baldwin, Mike Williams, Anna Redwine, Tom Stanley, Carl Blair, Janet Orselli, Matt Overend, Laura Spong, Leo Twiggs, Jeff Donovan, John Monteith, Dorothy Netherland, Herb Parker and Phil Garrett and Mary Gilkerson and the process of making monotypes.

Friday, October 6, 2006

Essay: Jeff Donovan

Man Considering Bird, 2006
Oil pastel on canvas
12 x 12 in

Jeff Donovan
by Wim Roefs

Jeff Donovan speaks of his art mostly on a technical and formal level rather than in terms of content. “My images,” he says, “evolve from a process of staining a surface with a mottled tone in which suggestions of form and space are discerned. Inevitably, the forms revealed are figures, owing to a prejudice on my part for that particular subject.

“Once the subject and the broad compositional framework have been determined, my concerns are largely with formal elements – movement, balance, color and tonal harmony or dissonance, texture, etcetera.”

The figure marks Donovan’s art, both in his paintings and ceramic sculptures. When a few years ago he began to create ceramic sculpture, Donovan to a large extent used the figures in his paintings as the impetus for his clay pieces. Sometimes the clay figures are a close translation of one painted earlier, but always clay and painted figures display similar characteristics. 

Those figures and the context they find themselves in are characterized by a wicked combination of wackiness and humor, solitude and lonesomeness, naturalist rendering and physiological incorrectness, cartoon-like and pensive qualities, expressiveness and disconnectedness, activity and stillness. Many a situation in Donovan’s paintings has a Surrealist or Magic-Realist twist. And with his figures it’s often hard to tell whether they are deeply depressed or perfectly at peace with themselves and the world. 

Three Monks hang out, cool-dude-like, at least one of them having a smoke. The Kneeling Woman is defined as much by her elongated neck bowing forward with her hair hanging down than by the fact that she’s on one knee. The guy in Hanging Out might just as easily be resting contently after a swim or wondering in desperation what to do with the rest of his life. With the Man Considering Bird, it’s not entirely clear whether the man is holding his chin contemplatively with his left hand or holding his entire, possibly detached head to keep it somewhat in place. In Striped Ties Are In, a big foot runs into a thin ankle/neck that supports a small human head; a yellow tie with red stripes hangs around the ankle/neck.

“My methodology dictates a somewhat inventive anatomy,” Donovan says, “making the figures less representational and more reflective of psychological and emotional states of being. My intent is for the final image to first register with the viewer on an emotional/intuitive level before engaging them intellectually. 

What his figures’ “psychological and emotional states” might be is a question that goes unanswered. “I’ll let you know when I come up with something.”

Thursday, September 21, 2006

Humans: October 6-17, 2006

if ART, International Fine Art Services
presents at
Gallery 80808/Vista Studios
808 Lady St., Columbia, S.C.

JEFF DONOVAN – JOHN MONTEITH
DOROTHY NETHERLAND – HERB PARKER
H u m a n s

Oct. 6 – 17, 2006

Artists’ Reception:
Friday, Oct. 6, 5 – 10 p.m.

Opening Hours:
Saturday, 11 a.m. – 5 p.m.
Sunday, 1 – 5 p.m.
Weekdays, noon – 7 p.m. and by appointment

For more information, contact Wim Roefs at if ART:
(803) 238-2351 – wroefs@sc.rr.com


For its October exhibition at Gallery 80808/Vista Studios, if ART, International Fine Art Services, will present “Humans,” an exhibition with work by Jeff Donovan, John Monteith, Dorothy Netherland and Herb Parker. The opening reception for the exhibition is Oct. 6, 5:00 – 10:00 p.m. Opening hours are Saturdays, 11:00 a.m. – 5:00 p.m.; Sundays, 1:00 – 5:00 p.m.; and weekdays 12:00 – 7:00 p.m. or by appointment. For more information or to make an appointment, contact if ART’s Wim Roefs at (803) 238-2351 or wroefs@sc.rr.com.

Donovan and Monteith are both from Columbia; Netherland and Parker are from Charleston. All the art in the exhibition will have a human presence in the form of figurative elements.

“That doesn’t mean it’s a figurative show,” if ART owner Wim Roefs said. “It’s just that in different ways, the human factor shows up in this work. Monteith’s work consists of portraits but with a twist. Donovan’s pieces all have the human figure in them some way or another. Netherland paints symbolic compilations in which portrait and figures, often inspired by 1950s magazines, play an important role. And Parker’s sculptures are about humanity and typically include heads and the human body or part thereof.”

Donovan will be showing paintings and ceramic works. Monteith’s oil paintings are on thin but solid plastic sheets. Netherland’s paintings are on glass. Parker’s pieces will be mixed-media works.

Wednesday, October 5, 2005

Thursday, September 29, 2005

SOLD PAINTINGS

Figure Cites Background Color As Reason For 
Leaving Composition, 2011
 Charcoal and pastel on canvas on panel
8 x 11 in., $450
Death Forgets Where He Parked, 2016, 
watercolor, pastel and charcoal on paper
mounted on canvas, 
35 x 27 in., $2,400
Rainy Day In My Living Room Jungle, 2016,
watercolor, pastel and charcoal on paper
mounted on canvas, 35 1/2 x 29 1/2 in., $2,400
Martial Artistes, 2016, watercolor, pastel and
charcoal on paper mounted on canvas, 
38 x 31 1/2 in., $2,450
Death Forgets Where He Parked, 2016, 
watercolor, pastel and charcoal on paper
mounted on canvas, 
35 x 27 in., $2,400
Achilles, 2016, watercolor, pastel, charcoal

Dream Boating II, 2016, 35 1/2 x 29 1/2 in., $2,400
Inner City Series, 2014, wax, pigmented wax, construction paper,
watercolor paper, sandpaper, index card, tile, graphite, litho crayon,
prismacolor pencil, charcoal, gouache on 8-ply rag board, 16 x 16 in.,

$985

Inner City Scene 13, 2014, handmade paper, watercolor
paper, sandpaper, charcoal, graphite, wax, pastel,
dry pigment and gouache on panel, 11 3/4 x 11 3/4 in., $600
Inner City Series 12, 2014, watercolor paper, sandpaper,
heavy duty wall liner, wax, pastel, pigment stick, gouache,
shoe polish, charcoal and graphite on panel, 

14 x 14 in., $785

Inner City Scene 14, 2014, watercolor paper, sandpaper,
heavy duty wall liner, pastel, charcoal, graphite, wax,
pigmented wax, shoe polish and litho crayon on panel,
12 x 14 in., $690

Inner City Series 18, 2014, handmade paper, watercolor
paper, sandpaper, charcoal, pastel, gouache, wax, graphite
and acrylic on panel, 6 x 12 in., $450
On Pointe, 2011, oil on canvas, 36 x 36 in., $3,000
Tall Order, 2011
Charcoal and pastel on canvas on panel
19 x 8 in., $625
Proposed Monument to a Disgraced Public Official, 2014,
pigmented wax and charcoal on panel, 7 1/2 x 10 in., $400
Inner City Series 20, 2014, wall liner, watercolor paper,
sandpaper, charcoal, graphite, wax, pastewax, gouache
and acrylic paint on rag mount board, 12 x 12 in., $600

Inner City Series 21, 2014, arches paper, watercolor paper,
sandpaper, charcoal, graphite, wax, pigmented wax,
gouache, edgebonding (wood veneer) and prismacolor
pencil on panel, 12 x 12 in., $600

Inner City Series 8, 2014, arches paper, sandpaper, watercolor,
paper, gouache, charcoal, graphite, wood veneer and wax on panel,
12 x 12 in., $600

Inner City Series 9, 2014, handmade paper, watercolor
paper, charcoal, pastel, graphite, wax, 
paste wax and
shoe polish on panel, 12 x 12 in., $600

Sowing in the Wind, 2014, pigmented wax
 and charcoal on panel, 7 x 5 in., $325

Hand Neck, 2011, charcoal on canvas on panel
9 x 9 in., $450

Brian, 2011
Charcoal on canvas on panel
8.5 x 6 in., $350

Cylcops With Sunglass, 2011
Charcoal on canvas on panel

11 x 6 in., $375

Head Down, Chin Up, 2011, charcoal on canvas on panel
10.5 x 13 in., $585


Chin Guard, 2011, charcoal and pastel on canvas on panel
8 x 9 in., $400


Embrace, 2010, acrylic, gouache, charcoal and pastel
on canvas, 19 1/2 x 21 in., $1,250

The Dog Who Would Bite The Moon, 2012, alkyd
on canvas, 11 3/4 x 15 in., $725
Working Late, 2011, charcoal on canvas on panel,
10 1/2 x 13 1/2 in., $585
Long Distance, 2011, pastel on canvas, 10 x 10 1/2 in., $525

Untitled, 2011, pastel and charcoal on
canvas, 10 x 8 in., $450
Back Stroke, 2011, charcoal on canvas on panel, 8 x 10 1/2 in.
$450
Up or Down, 2011, charcoal and pastel on canvas on board
8 x 9 in., $400
All Square, 2011, charcoal and pastel on canvas on panel
10.5 x 12.75 in., $585
Hmmm, 2010
Acrylic, gouache, charcoal and pastel on canvas
30 x 30 in., $ 2,000
Blue J, 2010, gouache, charcoal and pastel on canvas
20 x 24 in., $1,400
Shower Head, 2010
Charcoal, gouache, and pastel on canvas mounted on panel
10 1/2 x 8 1/2 in., $350
At The Diner, 2010
Acrylic, charcoal, gouache, and pastel on canvas
 mounted on panel
30 x 30 in., $ 2,000
Twist and Shout, 2010
Acrylic, pastel and gouache on canvas
24 x 24 in., $ 1,650
Interface, 2010
Acrylic, gouache, charcoal and pastel on canvas
19 ½ x 21 in., $ 1,250

Wondering Monk, 2010
Acrylic, gouache, charcoal and pastel on canvas
12 x 12 in., $ 550
On Line, 2010, acrylic, gouache, charcoal and pastel on canvas
36 x 36 in., $ 2,650
The Note, 2010, gouache, charcoal and pastel on canvas
10 x 10 in., $ 425

Loving Cup, 2007, acrylic and oil on canvas
24 x 24 in.
Pulling Left, 2005, charcoal on canvas
12 x 12 in. 
Exile, 2006, oil, oil stick, oil pastel on canvas
30 x 24 in., $ 1,700
Hand Out, 2006
Pastel on canvas, 16 x 13 in., image
28 x 24 in., frame
$750
                                                                                         
Omagawd, 2010, oil on canvas
23 x 23 in., $ 1,650

Reader, 2009, oil and casein on canvas
25 x 19 in.
The Exhausted Hostess, Oil and casein on canvas
25 x 19 in.
Striped Ties Are In, 2009
Ceramics, wood, paint, fabric, paper and skateboard
30 x 30 ½ x 8 ½ in., $2,500

Inner Sanctum, 2009
Charcoal, gouache, casein, pastel on canvas
22 x 26 in.




Mother & Child Wading, 2009
Charcoal, gouache, casein, pastel on canvas
9 x 13 in.
Then I Remember My Shoes..., 2009
Charcoal, gouache, casein, pastel on canvas
19 x 26 in. $ 1,100

Based on "Poem", 1971, by Charles Simic

Every morning I forget how it is.
I watch the smoke mount
In great strides above the city.
I belong to no one.

Then, I remember my shoes,
How I have to put them on,
How bending over to tie them up
I will look into the earth.

Poem Copyright © 1971, by Charles Simic
Striped Ties Are In, 2006, oil pastel on canvas
21 x 17in.
Hard Core, 2007, acrylic and oil on canvas
24 x 24 in. 

Ceremonial Scratch, 2005, charcoal on canvas
12 x 12 in. 
Over Hang, 2005, charcoal on canvas
12 x 12 in. 
Seer, 2005, pastel and oil pastel on canvas
19 x 27 in. 
Youth, 2004
Charcoal and pastel on canvas, 23 x 23 in.
$ 1,200


Fat Back, 2007, acrylic and oil on canvas
18 x 24 in., $ 1,300

Night Cap, 2010, Gouache, charcoal, pastel on canvas,
6 x 8 in., $325
Boxing Blonde, 2011, oil on canvas, 40 x 36 in., $3,300
Slip Under, 2011, charcoal on canvas on panel
9 x 9 in., $450
Inside Corner, 2011, charcoal on canvas on panel
10 x 10 in., $525
Marco Polo, 2011, charcoal on canvas on panel, 10 x 10 in., $525
Ear Push, 2011, 
Charcoal on canvas on panel, 14 x 10 in., $600
Thread Counting, 2011,
Charcoal and pastel on canvas on panel,  9 x 9 in., $450
Turtle Neck, 2011, charcoal on canvas on panel
8 x 11 in., $450
Quick Sketch Artist, 2011, charcoal and pastel
on canvas on panel, 9 x 7 in., $350
Booked, 2011
Charcoal and pastel on canvas on panel
9 x 6 in., $350
The Morose Minimalist, 2011, charcoal,
gouache and pastel on canvas, 10.5 x 9 in,
$500
The Public's Servant, 2011
Charcoal and pastel on canvas on panel
15 1/2 x 10 in., $625



Bowl, 2011, charcoal on canvas on panel
9 x 9 in., $450








                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 
Headrest, 2011,
charcoal on canvas on panel, 11 x 8 in.,
$450